CandO Vs. non-Cando, aka carvita carvaNam

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vAsu-PRK gArla samvAdampai...

idantA carvita carvaNam ayinA, okka mATa. (BTW, vAsu gAru asked about the
'deja vu' on this topic: ayyA, I vishayAnni cAlA sArlu I #forum#lO
nalaggoTTAru).

Candas lO rAyaDamA, vacana kavita rAyaDamA anE praSna, tanaku kAvalasina
padhdhatini encukunE swECCa kaviki eppuDoo (anTE vacan kavita modalaina
tarvAta) unnAyi.

Candas ki konni upayOgAlu lEka pOlEdu. andulO mukhyamainadi (nA uddESamlO)
laya. Candas lO unna laya valla, padyAlu cadivina vALLaki sulabhamgA
gurtunTAyi. pUrva kavulu tama kAvyAlu cAlA kAlam nilavAlanE kOrikatO
rASArani na uddESam. adIkAka, A kAlamlO rAtapratulu andarikI andubATulO
lEvu - andukani Sruta pANDityamE heccu. VITanniTikI Candassu upayOga
paDindi. Candas lO inkO vishayam kluptata. padyAllO, Candassuki amaraDaniki
akkaDakkaDA peTTuDu padAlu cErinA, pUrva kavula padyAlu cAlA maTTuku
kluptangA unTAyi.

vAsu gAranTAru:
>Chhandas gives you metrical/musical frame. You have to fill-up.
>That's basically a mechanical job. Not a creative one.
>
>So it's more a matter of routine and habit than of knowledge
>or even talent.
>Also it is restrictive for an excellent reason that
>it ASKS me to fill-up a frame with words which are subject
>to MECHANICAL SCANNING.


idi nijamE. ayitE, konni nibandhanalaki lObaDi unDE kaLa EdainA I
paristhitini edurukunTundi. sangItam tIsukONDi, modaTa SRti, swaram
paTTubaDAli, A taravAta laya teliyAli, ivannI sAdhana ayinAka gAni swantagA
sangItAnni puTTincE Sakti rAdu. kAnI, kavitvam vishayam vEru. dAni
padhdhatulU, prayOjanAlU vErE. dInlO ceppadalcukunna vastuvu mukhyam. A
vastuvu Candas vallanO, inkEdainA karaNamgAnO maruguna paDipOtE, kavitva
prayOjanamE nASanamai pOtundi.

inkA vAsu gAranTAru:
>There is no way a chhandoe meter can present itself for
>expressions which poets of these days are interested in.

idi nirvivAdAmSamani naa uddESam. I rOju kavitA vastuvulaki nyAyam
ceyyaDAniki Candas saripOdu kadA, aDDankE avutundi. I vastuvulni kUDA
CandamlO #effective#gA rAyagala kavulunTArEmO, manaki telIdu. unna
kavulantA, (Candaanni sAdhana cEsi, okappuDu ArAdhincina vALLE) pAta Candas
ippaTi kavitva prayOjanAlaki saripOdani grahinci, kotta dArlu paTTAru. A
paTTina dArlalO rAcabATaloo vESAru. mari vILLU kavitA pratibhAvantulu
kAdanukOvAlA?

(oka piTTa katha. konta kAlam kritam, #library#lO, haidarAbAdu
vAstavyulaina oka AcAryula vAru rAsina CandO badhdha kAvyam okaTi cadivAnu.
kavi gArU, CAndasuDaina oka palleTUri mitruDU kalisi haidarAbAdu nagara
paryaTana ceyyaTam kathA vastuvu. bhAsha saraLamgAnE undi, padyAlU bAnE
rASAru, ayitE vinOdaannivvaTam tappa, pAThakulni kadilincE Sakti lEka
pOyindanipincindi. dIniki tODu, CandO-lankAra bhAgamaina kavi samayAlU,
vagairA koncem ebbeTTugA kUDA anipincAyi).

CandO badhdha kavitvAnni carcincEppuDu, kavitva tatvAnni, kavihRdayAnni
pUrtigA vadili, gaNa vibhajanani mukhya vishayam ceyyaTam vicArakaram.
anTE, Candas tappinci dInlO mATTADukunEnduku EmI lEdannamATa.

mugimpugA CandOpriyulaku oka vinnapam: I SatAbdapu kavullOnU Candam cakkagA
rAsina vALLunnAru, VSN, jAshuvA et al. vILLa kavitvAnnI, kavitA rItulnI
sOdAharaNamgA carcistE bAvunTundani ASa. samarthulu anduku pUnukO galaru.

bhavadIyuDu,

nArAyaNaswAmi

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