Yandamuri is really this generation writer. His biggest asset is his style
of writing he makes you glued to the subject he is describing.
Tkae these novels
Tulasi Dalam
Radha Kunti
Dubbu to the power of Dubbu
Prardhana
Anandobrahma
Vennello Adapilla
Marana Mrudangam
Each subject he took he wrote everything in detail, he did thorough
background check his description of sites we can visualize all
Hyderabad locations(which he do not admit) forexample when you are
rerading PRARDANA we know his description of research lab perfectly
fits with RRL and CCMB campus in Tarnaka Hyderabad) but the biggest
problem is he refused to admit he tried to copy famous english novels. He
became a boring writer in some aspects with an urge to do more and
tried to became a professional writer(his views are expressed indirectly
in Anandobrahma, these are the views he expressed when I was talking
to him few months before anandobrahma was started). After all writing
a story needs lot of creativity and undisturbed attention on the topic
which is becoming a rare thing in day to day competitive world.
He wrote very good dramas
Kukka
and Rudraveena
which are of high social relavence. People(I am one among them) may
call him copy king which may be a close reality But Sri. Yandamuri
Veerendranath deserves credit for One thing.
To give a fresh breath of ideas in story writing and rescuing Andhra
Pradesh from routine illusionary novels. Okka Maatalo Cheppalante.
Andamaina Gulabi Thotalni, Impala Carlani, Tella Bocchu Kukkalni,
Padahaarella Ati sukumaaramaina Padahaarella kadhanayakalni
Bhookampam Vacchinatlu Kookati Vellato Bhoomi Raala Gottina Ghanata
EE Yandamauri Ke Dakkutundi [evi naa matalu Kavu evaro(peru gurtu
ledu) Rachayita Anna Maatalu]
Regards,
Prasad Tata
Vizianagaram Bidda